I think the glue that held Fringe together was the relationships.

You're always working with the relationships. It's pretty demanding, but then again I love that.

We didn't know until really quite late in the piece how Joel [Wyman] would finish it off.

There's a certain pattern that exists with geniuses - an eccentricity, a lack of social graces and an inability to really communicate with mere mortals.

It might be different for people that are A-list actors, but a lot of us really look at what's offered to us and look for something that has some traction with other people. But, it's not like I read 100 scripts a week, and then pick and choose. Maybe some actors do. I certainly don't do that.

Human beings, we have dark sides; we have dark issues in our lives. To progress anywhere in life, you have to face your demons.

Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.