You basically go in animation and it's all in the imagination. There aren't even pictures to look at. You usually go in there and work with whoever the director is to create this voice and this character.

Mars tugs at the human imagination like no other planet. With a force mightier than gravity, it attracts the eye to the shimmering red presence in the clear night sky.

We've had such a close relationship with the fans. Through social networking and the internet, we have much more contact, and we did go to things like Comic-Con. So, I think people know most of our secrets.

In Revelation 12, we see a pure, holy woman giving birth to a son - a corporate son who brings victory by the blood of Jesus, their testimony and sacrifice. My vision is to see that kind of church moving in the authority, the sacrifice and love of Jesus.

You're always working with the relationships. It's pretty demanding, but then again I love that.

'Fringe' is essentially a love story, so the scenes where Walter had close connection with Peter, but also with Anna's character or Jasika's character, were very special to me.

We didn't know until really quite late in the piece how Joel [Wyman] would finish it off.