[Fringe] was just about doing the job, or trying to do the job, properly. It was never a job that you could rest on your laurels. It was a very challenging 43 minutes of television that we were shooting, every week.

I was a theater man, so I was never in the situation of being a handsome Hollywood leading man, and then having to age.

I think main storylines are what always intrigued me, with those that were the relationships between the characters against whatever backdrop, whether it was in an ordinary universe or a universe in the future.

In Revelation 12, we see a pure, holy woman giving birth to a son - a corporate son who brings victory by the blood of Jesus, their testimony and sacrifice. My vision is to see that kind of church moving in the authority, the sacrifice and love of Jesus.

Mars tugs at the human imagination like no other planet. With a force mightier than gravity, it attracts the eye to the shimmering red presence in the clear night sky.

Many very strong fathers have turned out ineffectual sons by not allowing them to grow as men.

We didn't know until really quite late in the piece how Joel [Wyman] would finish it off.