I think main storylines are what always intrigued me, with those that were the relationships between the characters against whatever backdrop, whether it was in an ordinary universe or a universe in the future.

I don't know where the line is. I don't know how much of myself is in Walter. There's got to be a bit of him there.

I've played a bunch of different versions of Walter [from "Fringe"]... I loved it when he was being random, which was probably the original version of him, more than anyone else. I loved doing Walter then, and all of the different mental states that we've played.

Many very strong fathers have turned out ineffectual sons by not allowing them to grow as men.

I don't know how I absorb things, but I do. I just absorb them. I don't over read the script, and I don't really ever spend much time learning it.

Walter is incredibly complex. I do a lot of thinking about the work I do, and try to get the rhythms of scenes.

We shouldn't be put out to pasture just because we've reached somebody's idea of retirement, which was certainly happening in Australia, and I think elsewhere as well.