Usually we're all comfortable playing the songs, but during the song there might be one part where you're like „oh, this part's coming up, I have to really focus", a lot of songs have those moments in them.

I've been fortunate to work with companies that I endorse because I love their gear. Whether Music Man, Dunlop, or DiMarizo to me these companies have supported me in such a way that's invaluable.

We're not the kind of band who writes an order abundance of songs and picks from them, we usually write for the album.

To be in Boston, which is a great city and which is full of many colleges and young kids, and to be around that many people that were at the same point in their lives, who played guitar or whatever instrument - it was just perfect. It was a great environment.

I often think about my Music Man guitars being 100 million percent tailored to my needs as a player and how lucky I am.

I do a lot of the stuff that I started out doing that I think any guitar player that's concerned about the craft needs to do. It's basic practicing of the basic elements. I try to practice like a well rounded regiment of things where I can kind of do whatever I wanna do and I also have to practice the actual songs to keep that under my fingers as well.

You might be able to get a certain sound, and in the studio you certainly look at things under a microscope a lot more. You might hear more warmth out of a thicker string gauge. But in the practical world, like with us, we're playing An Evening With... so it's three hours of music, and our music is pretty challenging as far as the technical aspect. And I found after awhile that I was killing myself.