When I read a story or see something play out in front of me I say, how come nobody's made a movie or a television show out of this? This is something that belongs in the conversation. Certainly that's what interests me about a project.

It's a mixed crowd at the dogs - black, white, hispanic - but to Walt they all look like Jackie Gleason. Heavyset guys with big plans and polyester souls.

My argument has always been that this is not an anti-Bush film, it's a pro-democracy film. And if George W.Bush comes out on the wrong side of democracy, that's his problem.

I never actually do rehearsals. That's one of the reasons that I write those bios and if I can meet with the actors I'll meet them or talk to them on the phone. What I want is for them to come on set knowing their lines and knowing who the character is.

I don't have a social agenda. I just don't choose to ignore what's in front of me.

The less money and time you have, the more you haveto plan ahead and be careful about your coverage. It's like a gas:it expands or contracts depending on the size of the container.

In a movie you have all these logistical problems; all these practical problems. But you're also going to have people come who can do things that you can't do, and you get to direct their talents.