He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man.

A man on a horse is spiritually, as well as physically, bigger then a man on foot.

Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers.

And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

Lennie begged, "Le's do it now. Le's get that place now." "Sure right now. I gotta. We gotta.

Let's say that when I was a little baby, and all my bones soft and malleable, I was put in a small Episcopal cruciform box and so took my shape. Then, when I broke out of the box, the way a baby chick escapes an egg, is it strange that I had the shape of a cross? Have you ever noticed that chickens are roughly egg-shaped?

The story [Henny-Penny] has the best opening in all literature-"The sky is falling," cried Henny-Penny, "and a piece of it fell on my tail.