I moved to New England partly because it has a real literary past. The ghosts of Hawthorne and Melville still sit on those green hills. The worship of Mammon is also somewhat lessened there by the spirit of irony. I don't get hay fever in New England either.

You have a life and there are these volumes on either side that go unvisited; some day soon as the world winds he will lie beneath what he now stands on, dead as those insects whose sound he no longer hears, and the grass will go on growing, wild and blind.

As I get older, my childhood self becomes more accessible to me, but selectively, in images as stylized and suspect as moments remembered from a novel read years ago.

How circumstantial reality is! Facts are like individual letters, with their spikes and loops and thorns, that make up words: eventually they hurt our eyes, and we long to take a bath, to rake the lawn, to look at the sea.

That's the trouble with caring about anybody, you begin to feel overprotective. Then you begin to feel crowded.

I did feel as though a number of critics had appointed themselves, when they sat down with a new book of mine, to rectify what they felt to be was my inflated reputation and so that the book in hand was not really given a chance but made a kind of weapon in the general attempt to bring me down to size.

The great thing about the dead, they make space.