I assume my stance, and take back the club, low, slowly; at the top, my eyes fog over, and my joints dip and swirl like barn swallows, I swing. There is a fruitless commotion of dust and rubber at my feet. "Smothered it," I say promptly. After enough lessons the terminology becomes second nature.

Being a famous writer is a little like being a tall dwarf. You're on the edge of normality.

Nothing feels worse than other people's good times.

It seems to me the book has not just aesthetic values - the charming little clothy box of the thing, the smell of the glue, even the print, which has its own beauty. But there's something about the sensation of ink on paper that is in some sense a thing, a phenomenon rather than an epiphenomenon. I can't break the association of electric trash with the computer screen. Words on the screen give the sense of being just another passing electronic wriggle.

That's the trouble with caring about anybody, you begin to feel overprotective. Then you begin to feel crowded.

Being naked approaches being revolutionary; going barefoot is mere populism.

It is not difficult to deceive the first time, for the deceived possesses no antibodies; unvaccinated by suspicion, she overlooks lateness, accepts absurd excuses, permits the flimsiest patching to repair great rents in the quotidian.