I used to run away to New York from Baltimore all the time.I would get on the Greyhound bus and tell my parents I was going to some sorority weekend. I'd even make up fake permission slips, come to New York and just ask people on the street if I could stay with them and go see midnight movies.

If you think someone's trying too hard, that's the worst thing they can do. To me, it's just desperate, never funny and never witty. It's kind of really old hat because just being shocking isn't enough. It has to change how you think about something. It has to startle you. It has to make you look at something and reconsider whether you're right. That's the whole point.

When I was young, no one wanted to be one; now even the President of the United States would call himself an outsider. So now I'm for insiders.

Once I had a shrink who said, "Your parents are the fuel you run on," because I was raised in the tyranny of good taste. If my parents hadn't taught me all that, I couldn't have made fun of it. So I thank them, and they were loving. It takes a long time to realize that they made me feel safe when I lived a life which was very not safe.

My idea of rich is that you can buy every book you ever want without looking at the price and you're never around assholes. That's the two things to really fight for in life.

My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.

New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.