I'd just thank the people out there who have been with my up-and-down, weird-road, strange career and supported me and stuck with me all these years. I mean, they're my boss. That's what keeps me working.

Now, bring me that horizon.

I actually did do a musical many years ago with John Waters called Cry-Baby, but technically it was only half me - it wasn't me singing. Tim's [ Burton] the only person brave enough to actually let me try to sing.

One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.

I really love the experience of moving things around, in terms of being a director.

They stick you with those names, those labels -- ‘rebel’ or whatever; whatever they like to use. Because they need a label; they need a name. They need something to put the price tag on the back of.

I would say that he has a rather limited and uncreative way of looking at the situation.