I'd just thank the people out there who have been with my up-and-down, weird-road, strange career and supported me and stuck with me all these years. I mean, they're my boss. That's what keeps me working.

I was always a fan of the great old spaghetti Westerns, the Sergio Leone films. But the one that always sticks with me, that I just thought was brilliant and perfect is "Cat Ballou." Lee Marvin in "Cat Ballou."

For a long time I tried to manage an honesty and openness about my personal life because I’m human and I’m normal – well, semi-normal.

Yeah, in every film that I've been lucky enough to do with Tim, there's always some form of torture, and the nails were Tim's idea. They were the length of the fingers and stuff, but it was okay because I had a troop of people who would help me go to the bathroom. They had to have treatment afterwards but they're okay now. That is true.

They stick you with those names, those labels -- ‘rebel’ or whatever; whatever they like to use. Because they need a label; they need a name. They need something to put the price tag on the back of.

I think, for me as an actor, if you get to a place where you're satisfied, you're happy with it, then you're dead. It's over. You're not hungry anymore. You won't try things anymore.

The beauty, the poetry of the fear in their eyes. I didn't mind going to jail for, what, five, six hours? It was absolutely worth it.