In terms of playing like a straight leading man type thing, I feel like all these guys are kind of not necessarily leading men but straight kind of characters. Even though they may seem bizarre or strange, I feel like I think everybody's nuts. I mean, I really do. And the weirdest thing in the world is to see some guy who is just super earnest.

When I see someone who just follows their dream and succeeds, and just does basically what they want to do and doesn't have to answer to anyone, obviously not harming anyone, that's great.

I try to stay in a constant state of confusion just because of the expression it leaves on my face.

In terms of it being a first screenplay, literally, my hat is off to him [Wally Pfister]. I didn't see any virgin blather in screen direction, or anything like that. It was just a wonderfully executed piece, and a complicated one. The mathematics involved in putting this film together, between Jack and Wally, and the great support of Alcon, it was not a easy little operetta.

With a character like a Captain Jack, who can essentially set up these verbal land mines around him, and just keep passing the "absurdity ball" around and the "irreverence ball" around, and keep people guessing and keep people confused, there's great safety in that. Me, myself, personally, I learn from it. It's a real pleasure, and I do need him.

My kids, they're my energy, my soul, and my nicest friend.

There are necessary evils. Money is an important thing in terms of representing freedom in our world. And now I have a daughter to think about. It's really the first time I've thought about the future and what it could be.