In terms of it being a first screenplay, literally, my hat is off to him [Wally Pfister]. I didn't see any virgin blather in screen direction, or anything like that. It was just a wonderfully executed piece, and a complicated one. The mathematics involved in putting this film together, between Jack and Wally, and the great support of Alcon, it was not a easy little operetta.

Tomorrow it'll all be over, then I'll have to go back to selling pens again.

People cry, not because they're weak. It's because they've been strong for too long.

Everything here is edible; even I'm edible. But that, dear children, is cannibalism, and is in fact frowned upon in most societies.

[The huge success of Curse of the Black Pearl] made perfect sense to me on the one hand, and at the same time, it made no sense at all, which I kind of enjoyed. Even now, with the dolls and the cereal boxes and snacks and fruit juices, it all just feels fun to me, in a Warholian way. It's absurd. It doesn't get more absurd.

My self-image it still isn't that alright. No matter how famous I am, no matter how many people go to see my movies, I still have the idea that I'm that pale no-hoper that I used to be. A pale no-hoper that happens to be a little lucky now. Tomorrow it'll be all over, then I'll have to go back to selling pens again.

I'm all for whatever it takes to get wherever you need to get with a character, as long as you don't wipe it on me.