I always felt like I was meant to have been born in another era, another time.

Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.

I don't know if you remember me, but I used to work here in the factory." Were you one of those despicable spies who every day tried to steal my life's work and sell it to those paraseeded cop cat, candy making cads?" No sir!" Then wonderful, welcome back!

What happens to me when I read a script, when something grabs hold of me, I start getting these flashes of people or places or things or images.

[on buying a private island] Money doesn't buy you happiness, but it buys you a big enough yacht to sail right up to it.

If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.

In terms of it being a first screenplay, literally, my hat is off to him [Wally Pfister]. I didn't see any virgin blather in screen direction, or anything like that. It was just a wonderfully executed piece, and a complicated one. The mathematics involved in putting this film together, between Jack and Wally, and the great support of Alcon, it was not a easy little operetta.