The people I choose to work with, I work with because I'm already impressed with them.

If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.

Music looks very formidable to people outside of it and it looks like it's this realm of spooky genius.

The people I choose to work with, I work with because I'm already impressed with them.

Things begin, things decay, and you've got to find a way to be okay.

[Brion calls his working relationship with West a natural fit.] His knowledge and understanding of records across the board is great, ... That's the reason why we got along: We don't see music as something that happens in one genre.

It was so much fun conducting an orchestra and watching the musicians' faces as some of Kanye's lyrics went by. They couldn't believe what was going on.