[Brion calls his working relationship with West a natural fit.] His knowledge and understanding of records across the board is great, ... That's the reason why we got along: We don't see music as something that happens in one genre.

If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.

Brian Eno developed systems to keep himself on edge and to keep himself in a position where he's generating ideas.

It was so much fun conducting an orchestra and watching the musicians' faces as some of Kanye's lyrics went by. They couldn't believe what was going on.

The only thing you really have to practice is your ability. And this is something I do all the time. I try to teach my hand to do what I'm hearing in my head at any given second. I don't sit around and practice scales. I sit around and just try to make sure my hands are following what's coming to me.

[Brion calls his working relationship with West a natural fit.] His knowledge and understanding of records across the board is great, ... That's the reason why we got along: We don't see music as something that happens in one genre.

The people I choose to work with, I work with because I'm already impressed with them.