The goal is not to be better than anyone else but rather be better than you were yesterday.

I got to talk to people like Mel [Lewis] and Milt Hilton and Benny Carter and Clark Terry and... Jay McShann. I just found myself in some circumstances, on some gigs or sometimes in clubs, with the ability to talk to some of these people. Just being around their energy and being around that history was invaluable. And what I normally say to young people that are getting into the music, if you can and go... now there's less of those folks around, sadly.

If you go with that spirit, good things will come for you. If you go into it with an assumption that you're a genius and that you're entitled to something, it's a little tougher.

I feel very similarly. I didn't have necessarily the same exact kind of dynamic, but that means a lot when people are like that with you. Especially people like that. And I think [Phil Wood] felt a certain responsibility .

We listened [with my mother] to [Frank] Sinatra and Glen Campbell and we had some Beatles records that I liked. This was in the '70s.

I had played some festivals with people and met and been around some good people, for sure. But what I say to my friends and students, anything like that with a grant or a competition, it involves a great deal of luck.

The light went on when I heard Phil [woods] play, and I went like, "That is why I'm playing the instrument." So I got very inspired, I started going to clubs through a friend's mom in the city, again, another person who just completely opened all these doors for me and it was amazing how kind she was.