We spent all day together [with Phil Wood] at that one particular lesson, which was maybe the third or fourth lesson, in from 11:00 in the morning to 11:00 at night. We often did a lot of varied things. It wasn't just about jazz language and the saxophone.

I had made a couple of records in Europe. One as a leader, and one as a sideman before that. It was what it was. I started to work with Maria Schneider around that period and some other people, I started to get called to sub at the Vanguard in my mid-20s.

[My mother] told me a little bit about the scene out there and I think, as a small child, I just always felt a connection to that history because my mother had described it to me.

There are a lot of people that impacted me. I remember hearing Oscar Peterson live at the Blue Note, which was very expensive, but... $50 in the '80s... hard to come up with. But it was amazing.

I don't want my children to be what I want them to be. I want them to become everything God created them to be.

The light went on when I heard Phil [woods] play, and I went like, "That is why I'm playing the instrument." So I got very inspired, I started going to clubs through a friend's mom in the city, again, another person who just completely opened all these doors for me and it was amazing how kind she was.

When [Charlie Parker] saw the young guys, especially the ones that were scuffling... "Did you eat today?" And if you hadn't eaten, he'd take you and buy you some lunch.