A lot of musicians have said things to me like, "Music saved my life". And "I'm standing on the shoulders of dozens of people that you've never heard of that were like angels for me that came out of the woodwork." And that's really the case for me. I had so many people that did those kinds of things for me.

I did, I was in Europe a lot. I would say, mid 20s to late 30s. Less so in the last ten or twelve years. Based on some political stuff and other things, I think I'm not the only musician, the only American jazz musician that's not going to Europe quite as much. I think we're seen a little differently in the world, unfortunately, than we were pre-Iraq invasion and things like that.

[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.

A tenor player named Bud Revels there at the time. A lot of really nice associations amongst the students. Garry Dial was a returning student. He actually got me on Red Rodney's band subbing a little bit. I gigged some with Red when I was 21 in 1988. So I had a lot of nice associations that came from [ Laguardia School of Arts]. But a lot of my education was going on in the clubs. Hearing music and sitting in.

Love is the answer for the team's success.

My mother was a singer, and I never heard her sing a note in my life.

[Phil Wood] was a great artist, and he knew things. He could be mildly conversant in several languages.