When you fuel up with purpose you find the excitement in the mundane, the passion in the everyday, the extraordinary in the ordinary.

I had played some festivals with people and met and been around some good people, for sure. But what I say to my friends and students, anything like that with a grant or a competition, it involves a great deal of luck.

Justin [Di Cioccio] was [at Laguardia School of Arts]. He later took over at Manhattan. But I knew Justin through the McDonald's band, which at the time I was finishing high school and starting college, I got involved with. I was not that heavily involved with the school at MSM my first year there. I took a semester off to start my 2nd year. Took classes I felt like taking during my third semester, but by the start of my third year, September of '86, they began the undergraduate jazz program and I joined that program.

I took some comp for non-comp major classes with Giacomo Bracali and Ludmila Ulela, who was a really famous composition teacher.

Negative people often tend to create negative cultures whereas positive corporate cultures are created by positive people.

I went in [Sweet Basil band] and played with them, maybe half the gig for almost eight years or more.

By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.