[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.

Benny Carter came up to me and said to me, "You know, in the whole history of the alto, I think Phil is the guy we should all be emulating." The king! So look, I'm so blessed that my first hero took me in.

You can’t be a great leader if all you are serving is yourself.

If I could have picked two guys on the planet, to have some exposure to at that age, those were the two right guys [Phil Woods and Charles McPherson].

[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.

I was also sitting in from the middle of senior year of high school at Sweet Basil, it was a great club in New York.

There's a story about when President Lyndon Johnson visited NASA and as he was walking the halls he came across a janitor who was cleaning up a storm, like the Energizer bunny with a mop in his hand. The president walked over to the janitor and told him he was the best janitor he has ever seen and the janitor replied, "Sir, I'm not just a janitor, I helped put a man on the moon." See, even though he was cleaning floors he had a bigger purpose and vision for his life. This is what kept him going and helped him excel in his job.