We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.

It's very unlikely you're a genius, but, if you're ready to work at it hard and you want to listen to music all the time and you want to learn about it and you want to be around the people who do it, you'll find your own way.

[My mother] told me a little bit about the scene out there and I think, as a small child, I just always felt a connection to that history because my mother had described it to me.

I have worked in the homes of many successful people and have seen firsthand that everyone fails in life, but failure can be a gift if you don't give up and are willing to learn, improve, and grow because of it. You see, failure often serves as a defining moment, a crossroads on the journey of your life. It gives you a test designed to measure your courage, perseverance, commitment, and a dedication. Are you a pretender who gives up after a little adversity or a contender who keeps getting up after getting knocked down?

Phil [Wood] was very passionate. Very committed. He felt very blessed that the people that cared about him and took him aside... if he was out of line or drinking too much, being too surly.

You do [jazz] because you love it and hope many some others may as well. You do this because you need it.

[Phil wood] put on some [Igor] Stravinsky and say to follow the score, tell me to play me the opening to the Rite of Spring. Or, "I'm going to play you some 20th century obscure classical composer you don't know". Or, "Let's listen to some Charles Ives, let's sight read some Bartok violin duets", etc.