There are a lot of different ways you can be a part of this music and love it and make a contribution that's personal to you.

I have worked in the homes of many successful people and have seen firsthand that everyone fails in life, but failure can be a gift if you don't give up and are willing to learn, improve, and grow because of it. You see, failure often serves as a defining moment, a crossroads on the journey of your life. It gives you a test designed to measure your courage, perseverance, commitment, and a dedication. Are you a pretender who gives up after a little adversity or a contender who keeps getting up after getting knocked down?

Sometimes I say to my students, "We get to come and listen to our favorite recordings and try to learn from them and emulate that and hopefully we can inspire other people the way we've been inspired."

I went in [Sweet Basil band] and played with them, maybe half the gig for almost eight years or more.

I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.

[Charlie "Bird" Parker] would sit down and ask [Phil Wood], "What do you think about this whole secondary Viennese school with Schoenberg, Berg and Webern? Are you listening to that music and what do you feel about it?" These were the conversations that he was having. And he also said, what he learned from Charlie Parker was, not that he studied with him in the formal sense, is that the first thing that Charlie Parker would always ask was, "Did you eat today?".

Things dribbled in in dribs and drabs through my 20s. But it was a struggle.