A guy like Scott [Robinson] plays the whole history of music on every instrument you've ever heard of. He's just kind of an unparalleled genius.

I had pestered [Phil Wood] for a long time. He finally agreed to do it. And I was excited and nervous and he couldn't have been nicer or more supportive from the minute I got to his house.

Sometimes I say to my students, "We get to come and listen to our favorite recordings and try to learn from them and emulate that and hopefully we can inspire other people the way we've been inspired."

I saw a nice interview with Dave Binney recently. He was saying, "Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote?" There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.

Thoughts are magnetic. What we think about we attract.

Sometimes I would go on Sundays and play with Doc Cheatham. I was also playing in a band of teenagers led by Don Sickler called Young Sounds, and The McDonald's Big Band led by Rich De Rosa and Justin Di Cioccio. All those guys were great educators and musicians and taught me a lot! Simultaneous to all this, another one of my musical fathers came into my life, Eddie Locke.

I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.