I never got to play with Art [ Blakey], but he was kind and spoke to me a number of times. He said, "You know, the people who are working 40 hours a week. Those are the ones who are really paying dues. Sitting at a desk doing the same thing every day. We're really blessed to do what we do."

The secret to life and the greatest success strategy of all is to love all of it and fear none of it.

When I got to Performing Arts, within the first week, a few days, Bill Charlap walked in and couldn't read music but he's playing all these solos from Keith Emerson of ELP, and Rick Wakeman from Yes. Real impressive rock piano and keyboard things. And we had really, truly amazing young 13-14 year old classical players in our year who had been practicing six, eight hours a day for eight years. So it was like "Whoa."

A tenor player named Bud Revels there at the time. A lot of really nice associations amongst the students. Garry Dial was a returning student. He actually got me on Red Rodney's band subbing a little bit. I gigged some with Red when I was 21 in 1988. So I had a lot of nice associations that came from [ Laguardia School of Arts]. But a lot of my education was going on in the clubs. Hearing music and sitting in.

I just think that I associated music with something that was healing and transformative as a kid.

We had a great educator [in the school band], a man named Larry Laurenzano. He was tough, but we knew that he loved us. And that was the beginning of playing music with people and really being inspired and having fun and being in a community.

We had been thrown out of a couple of places that we had lived in when I was a kid and all the family photos and records and toys were long since gone. But I think somebody had given us a couple of records.