21 Jump Street is great. I just made that, and produced it and was a writer on it. It's starring myself and Channing Tatum, and maybe some surprise guests.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.

I learn a lot from every director that I work with. I sit on set and watch them, every one.

I mean, being shot in slow motion doing cocaine by Martin Scorsese is, like, maybe every actor's dream. Nothing will compare to it. Except maybe having kids.

People who are just in a restaurant that you would never know are international arms dealers is kind of interesting, they're at the table next to you and you have no idea, you never know what everyone's up to.

A whole generation was raised to learn about comedy from The Simpsons. To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.

Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.