Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.

I couldn't imagine someone playing me or writing a book about who I am. Although I let people write articles and try and express who I am, and it blows up wildly in my face.

I'm really proud of 'Moneyball.' To me, it's about feeling pride in a movie I made. I think when I'm an old man I'll be able to show it to my grandkids with pride. That's all I can really go for: making movies to please me.

The comedy really comes from how badly you want these characters to succeed and with a comedy that's often hard.

If you're trying to make someone happy, you gotta try and make them happy. If you're trying to have a normal conversation, you've got to have a normal conversation. If you're trying to make them sad, you've got to make them sad. I think that's how you get real performances out of people.

Every time you're directing a movie you're kind of building a temporary business. You're hiring all these heads of departments, and it definitely feels like I'm like a CEO of a very temporary company.

All this stuff is so mind-blowing to me that I get to do in my life. Throwing the first pitch out at the White Sox game on a random Wednesday? Like who am I? How did I get this life? I'm glad I'm not jaded, and little kids are the least jaded people in the entire world, so it's fun to be around people that still find wonder in how cool things are.