The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me.

But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control.

Writers never feel comfortable having labels attached to them, however accurate they are.

The more melancholy side of my literary personality is much in tune with BS Johnson's.

I was mainly in a state of nervousness while I wrote it - nervousness that it was far bigger and more complicated than anything Id attempted before, and that maybe my talent just wasnt up to it and the book would have to be abandoned, or would turn out not to work at all when it was finished.

Ah, well, I have no talent for nonfiction, that's my problem.

For many weeks after [my wife] died, I could not get used to the feeling of coldness and lifelessness on her side of the bed - and it was even worse when they took the body away and buried her.