Luckily for you, you can close the book The Postman Always Rings Twice and break out of it, and James M. Cain can't. I can't think of any redeeming feature he has, but he's extremely compelling.

One of my favorite pieces of advice about being a writer came from a very formative teacher I had as an undergraduate, named John Hersey. On our last day of class together, which was also John Hersey last day before retirement, he said, "Remember, the world doesn't need any new writers." Which at first didn't seem like great advice, but when you unpacked it, it was really that it's not enough to be confident in what you do; be conscious of bringing something to the world of readers and writers that it hasn't seen before. Something idiosyncratic.

The Postman Always Rings Twice that's a book that I think every writer should read - that has to do with technique. But it's also a novel narrated by a guy who has decided by page 11 that he's fallen in love with a woman, and they're going to murder her husband so they can be together. There's nothing remotely likeable about him, but James M. Cain brings you so far into his head that, at a certain point, you have that uncomfortable but also thrilling sensation of seeing things exactly as he sees it.

I personally feel I still have so much to learn as a writer; each novel is better than the one before, just because I'm getting better at it.

You see that in the news constantly; done both the right way and the wrong way. The most recent example I can think of, obviously, is Lance Armstrong, who got it all wrong. Who wanted to apologize strategically, instead of abjectly. What got me interested was the repetitive nature of it. There's something so ritualized about it. Then the ritual needs to be reenacted very carefully and pretty frequently - Tiger Woods, and now Manti Te'o and Lance Armstrong, and a little earlier Anthony Weiner or Eliot Spitzer.

Kenneth Branagh. There was a time in my life when people would tell me constantly that I look like him. I could do a lot worse than that.

The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence. When you're handwriting, you really just have to move on.