Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.

Luckily for you, you can close the book The Postman Always Rings Twice and break out of it, and James M. Cain can't. I can't think of any redeeming feature he has, but he's extremely compelling.

That's really the essence of what any fiction writer does. Some of it is research-based, but most of it is a really long-term, imaginative, empathetic effort to see the world the way someone whose experiences remote from yours might see it. Not every writer works that way; some writers make a wonderful career out of writing books that adhere very closely to how they view the world. The further I go with this, the more interested I get in trying to imagine my way into other perspectives that at first seem foreign to me.

Novels are a kind of experiment in selfhood, for the reader as well as for the author.

You should not really entertaining anyone else, but trying to be yourself, because there are already more good books than you or I could ever read in our lifetime.

Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.

More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.