The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence. When you're handwriting, you really just have to move on.

That's really the essence of what any fiction writer does. Some of it is research-based, but most of it is a really long-term, imaginative, empathetic effort to see the world the way someone whose experiences remote from yours might see it. Not every writer works that way; some writers make a wonderful career out of writing books that adhere very closely to how they view the world. The further I go with this, the more interested I get in trying to imagine my way into other perspectives that at first seem foreign to me.

I don't want to make it sound too much like I'm telling people how to read the book A Thousand Pardons, but what Ben Armstead is doing, he's doing more or less on purpose as a very elaborate way of making a sacrifice in his personal life. He needs to start over. This is how he chooses to do it - by blowing up where he is.

You never want to have to give your child bad news of any kind.

I hesitate to say yes - I had writer's block, because I know there are people who've had really serious cases of it, and I've never been paralyzed like that, but I definitely get blocked sometimes. More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.

That's a long way of saying no, I'm always too bound up in thinking about the characters in whatever I'm working on and trying to make good to dwell on characters from previous books.

Kenneth Branagh. There was a time in my life when people would tell me constantly that I look like him. I could do a lot worse than that.