I was a sort of rock journalist - whatever that is - in London in the late '60s.

A trilogy is a pretty abstract notion. You can apply it to almost any three things.

I only work with actors who take full responsibility for their characters.

Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.

I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.

I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.

I'm guided by my enthusiasm.