In theater, you're in charge of your performance, and at the end of the day you're the one who gets credit because you're in front of the audience doing it, and in film and TV it's the director who gets to decide when to cut to you on a line, which take he uses.

Just follow your joy. Always. I think that if you do that, life will take you on the course that it's meant to take you.

When you get to really involve yourself with a piece [script] and the other people and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think. And there's an exhaustion that happens on a film set - an exhaustion that translates into a relaxation and helps me to live in the moment, in the performance I'm giving and what's happening around me.

At the end of the day, the end of the movie is sort of ambiguous - it's whatever you want it to be.

My mother's side of the family is Methodist, which is how I was raised. It was conservative in that I had strong values - sitting down and eating with the family every day, listening to authority and going to church every week and having perfect attendance at Sunday school.

But at the same time, my parents always encouraged my brother and me to be happy with what we were doing. My parents were athletes in high school; my mom and my dad were the stars of the basketball team, but they never pushed my brother and me to be anything we didn't want to be.

We didn't have a glee club at my school. It depends on what area of the States you're from. It's more in the Midwest.