At the end of the day, the end of the movie is sort of ambiguous - it's whatever you want it to be.

My mother's side of the family is Methodist, which is how I was raised. It was conservative in that I had strong values - sitting down and eating with the family every day, listening to authority and going to church every week and having perfect attendance at Sunday school.

But at the same time, my parents always encouraged my brother and me to be happy with what we were doing. My parents were athletes in high school; my mom and my dad were the stars of the basketball team, but they never pushed my brother and me to be anything we didn't want to be.

I sort of have the belief that you work being your character out while you're working on it, or that's been my experience so far. I throw myself into it 100% and try to live in that world, and then when it's over, just sort of be able to leave it behind.

In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience

When you get to really involve yourself with a piece [script] and the other people and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think. And there's an exhaustion that happens on a film set - an exhaustion that translates into a relaxation and helps me to live in the moment, in the performance I'm giving and what's happening around me.

I'm kind of whatever about nudity. Hopefully I wouldn't be a part of anything, whether I'm naked or not, that I didn't believe in. But I'm pretty comfortable being naked.