I don't have a lot of paper in my immediate work environment, except when I'm doing things like checking the godforsaken proofs.

I don't have a lot of paper in my immediate work environment, except when I'm doing things like checking the godforsaken proofs.

I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid.

Good films demand to be looked at several times in order to be observed completely.

It's impossible to overstate how my relationship to music forms a preserve for the esoteric or even spiritual aspect of my relationship to cultural stuff, to human expressivity... it's a safe enclosure.

Apparently Brooklyn needn't always push itself to be something else, something conscious and anxious, something pointed toward Manhattan.... Brooklyn might sometimes also be pleased, as here on Flatbush, to be its grubby, enduring self.

I keep one simple rule that I only move in one direction - I write the book straight through from beginning to end. By following time's arrow I keep myself sane.