Vertigo doesn't apply in planes for some reason. You think it's some kind of magic and you don't know how it's keeping you up, but when you're on a cliff top it's a different matter.

While I'm sure people in Britain have money worries, they don't have them like the French do. The French, however much money they have, are worried. They're a very stressed people. It seems to be a very essential component of the national psyche.

I don't believe in synergy. I believe that things have to be specific to the medium that they're in.

In creating a building, architects do think they're making the world a better place. And then they hope to make the world an even better place by making another thing which will be even bigger than the last thing... and it is part of the pathology of being an architect to believe thus, and they do believe it, despite all the evidence to the contrary.

I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

As primitive as digital can be, there is nothing automatic in the methods I use, it's all basically done by hand. I know nothing about computers. I don't like computers. I use them for writing because I have to. I have never had a conversation about computers in my life.

Conversion requires a subtler mind. Architects don't like it, architects want to create their own landmark buildings so that people a few years hence will say, 'Oh, that building there is being knocked down, who did that one?'