The thing about working on a TV show is that it becomes, very quickly, all consuming.

We used to look up at the sky and wonder at our place in the stars. Now we just look down, and worry about our place in the dirt.

One of the things with our show is posing a lot of questions, but getting a lot of answers too.

You'd have a quality insurance department, where they're making sure there aren't any glitches or weird things, and that the guests have a great experience and seamless experience. You'd also have security. So, we laid out the corporate structure, and then we cherry-picked from that the people who would be brought into the most conflict and the most day-to-day relationship with each other and with the hosts.

TV is, as I'm discovering now, a marathon. You have to keep going and going and going.

I've worked in the movie business for many, many years, where you have lots of days and lots of money. It's really mainly about time. We always try to conceive all of our action from a place of, "What can we shoot that looks fantastic?," rather than trying to do the kinds of thing that you would be able to accomplish in a movie.

Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.