What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through a little speaker. [...] I wonder if everyone's hearts would start to beat at the same time.

There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.

The question, I've come to think, is not what inspires one to change, but what inspires one to remain changed.

Only a few months into our marriage," writes the grandfather, "we started marking off areas in the apartment as 'Nothing Places,' in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist.

We need a better way to talk about eating animals, a way that doesn't ignore, or even just shruggingly accept things like habits, cravings, family and history, but rather incorporates them into the conversation. The more they are allowed in, the more strongly we will want to follow our best instincts.

With writing, we have second chances.

Well, what I don't get is why do we exist? I don't mean how, but why.' I watched the fireflies of his thoughts orbit his head. He said, 'we exist because we exist. . .we could imagine all sorts of universes like this one, but this is the one that happened.