You have to defend your character. That's your job, if they're hiring you. That doesn't mean you can't collaborate, but you do have to make some big, bold choices. We do that in real life, too.

The successes in the entertainment business are like one percent of the iceberg that you see, and the other ninety-nine percent, which is the rejection and the failure and the work and the toil and the sacrifice, is the rest of the iceberg that's below the water.

What's unique for me, as an actor, is this idea that I don't have to be grounded to the natural law of things. I can pull things out of the air and communicate with other spirits and other elements in other languages or forms, but I'm still right here, on the earth. That's a lot of fun.

There is a ferocity to MMA and to the training, but there's such a humanity to it too. It takes so much sacrifice and humility to get into it and to rise through those levels. If you look at the fights as a means to test who you are, every one of these fights is an opportunity to see how far you're willing to go up against yourself - and to find and define your limits.

What I've been thinking about recently is the idea of finite and fragility. Either we're acknowledging that our lives here are finite, this moment is finite, and that this whole world is fragile, or we're not, but it is really happening and that is really true.

I really realized how much happier I am when I'm doing projects that I'm chosen to do, and on the flip side, how much unhappier I am on projects that make me feel uncomfortable.

I infuse my life with love. I love what I do, the job.