We need prizes as publishers... to focus attention on books, for people to know what to go look for. But often in my opinion and in probably everyone's opinion, the right books don't get chosen. Still we need books to be chosen even if they are not exactly the right ones, otherwise many people won't know what to read. As a publisher, I feel prizes are important for the publishing business. But as a writer, I think, writers shouldn't get too distracted by prizes because very often they don't go to the right person. You shouldn't take it too seriously if you haven't won a prize.

There is something essential and necessary about the immediacy and democracy of poetry. If you look at the history of literature, poetry is the one enduring genre from Homer to Ashbery - no other literary form has lasted as long. The novel is only two or three hundred years old... And yes, it's mainstream if we look back, we often turn to poetry to encapsulate what was going on in a particular moment because it crystalizes the experience in a very condensed and meaningful way.

Poetry is an ongoing conversation with the past and the future and the present. I'm interested in that continuity, in that way of tying civilization together. It's like shoe laces, it holds things together.

Poetry is always in transformation. There are certain aspects of contemporary Italian poetry that are very preoccupied with politics and deconstruction and they don't deeply interest me. But that's the case in most cultures. We have our own Language Poetry, which doesn't interest me either.

I think that my early poems were probably more concerned with time passing because of unfulfilled desires or yearnings. Now, I feel younger than I felt when I was a young old man. Now I want to live as long as I can.

We need prizes as publishers... to focus attention on books, for people to know what to go look for. But often in my opinion and in probably everyone's opinion, the right books don't get chosen. Still we need books to be chosen even if they are not exactly the right ones, otherwise many people won't know what to read. As a publisher, I feel prizes are important for the publishing business. But as a writer, I think, writers shouldn't get too distracted by prizes because very often they don't go to the right person. You shouldn't take it too seriously if you haven't won a prize.

I love to publish new writers, and we do so consistently. But a lot of contemporary American poets sound alike to me. They want to bring spoken, prosy language into poetry and I understand that desire. But they don't edit. It's not very curated work. It seems very lackluster, very uncareful. It may be the un-carefulness is also something they intend but there's a kind of "So what?" quality to a lot of it.