I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.

Without the piano my life would be a disaster - nobody would hold me in any regard. It's the thing that saved me.

A good example of the modern world is the Eurotunnel. And mobile phones - I like them.

I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!

I do so much travelling in my work that my suitcase is always packed, with my passport ready. I rarely unpack, as I am constantly on the move.

My love is new music, I tend to go and see a lot of bands, while [co-producer] Mark Cooper spends his time reading the press. It's often the new acts that strike a chord, because they aren't seen on other shows.

It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.