For me, the social thriller is the thriller in which the fears, the horrors, and the thrills are coming from society. They're coming from the way humans interact.

I don't think that humans are, in our nature, we're evil or anything like that. But I do think there's a demon in our DNA, in our tribal subconscious that affects the way we work and we operate as a group.

I didn't know my father very well; I only met him a few times.

Nobody wants to see sketch comedy that's the same sketch they've seen time and time again, or that's just a rehash of that thing.

What teenagers are ready to laugh at is the misery of other people.

With a horror movie, you want to know where the engine of the fear is coming from. Like in comedy, you want to know what the engine that's going to make the comedy - where that's coming from.

Anyone who's really utilized collaboration has a philosophy like, 'Let's throw it all against the wall and see what sticks.' That's how we do it. At a certain point, we're cutting scripts that we love.