Certainly, black horror movie fans have, you know, been particularly vocal. I mean, there's the whole Eddie Murphy routine about, you know, black people in a horror movie wouldn't last very long. Right? They just walk in - you hear get out. Too bad we can't stay, baby.

What teenagers are ready to laugh at is the misery of other people.

You can track elections by who was playing that president on 'SNL' at that time. There's the theory that the more likable or charismatic impression would help get the president elected.

As kids, there's somehow the fear that these bullies can end your life if they want to. Everything is blown up, and occasionally that kind of awful thing does happen.

We can convince ourselves to do things in conjunction with one another that we wouldn't have been able to do as an individual.

For me, the social thriller is the thriller in which the fears, the horrors, and the thrills are coming from society. They're coming from the way humans interact.

I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".