Everybody knows this legend in kind of African-American lore. There's always somebody in your neighborhood named Orangejello or Lemonjello. And that's spelled - Orangejello is spelled O-R-A-N-G-E-J-E-L-L-O.

I've always thought of myself as an African-American comedian, African-American man, everything.

I look at racism as one of the social demons. And, in its worst, it's violent and it's a systemic commitment to oppression.

Any time I claimed to be white, that would be unacceptable. It just doesn't make sense in people's minds. If I'm white, how can I walk through a department store and still have people scared that I'm going to rob them? Which, that can still happen.

You can track elections by who was playing that president on 'SNL' at that time. There's the theory that the more likable or charismatic impression would help get the president elected.

You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else. My style of filmmaking happens to be give the audience what they know they don't want, but they want. Ultimately I have to write and direct in a way that let's just say, you don't want to regret making a choice.

I'd been taught from an early age that I was in the other category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.