You have to stand for something bigger than yourself.

The No. 1 question I get is, "Do you believe in an open-borders policy?" I'm like, wait a second: What does that really mean? When you say open-borders policy, do you mean that - this is like the US-Mexico border? We put up a sign that says "Keep Out," then 10 yards in we say, "Job Wanted." Is that what people mean by open borders? So that usually shuts people up. But that's the truth.

To me, it's just that social media is allowing people to be in charge of their own narratives.

No amount of success - whatever that means, quote-unquote success - no amount of success replaces the reality of being separated from my family for this long.

When you watch the way some of the commentators talk about this, it makes it seem as if people are crossing the border every second. How much money have we spent on the border? Why? And who's really exploiting whom?" And then he gets quiet. But I think just airing these out and having a face-to-face conversation about it helps both of us internalize what the conversation is really about. I don't think we have that in the public sphere.

The only reason I became a writer was so I could exist on a piece of paper.

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.