I got here when I was 12, I found out I was undocumented when I was 16, I became a journalist when I was 17, and all I ever did was write other stories to run away from myself.

We're talking about America - a country that's been built on the back of cheap labor. That's addicted to cheap labor. Talk to the Chinese and Irish who built the railroads. Talk to the black people who built the South. So what is the US-Mexico conversation really about?

To this day writing is the most painful thing to do.

There isn't anybody I won't talk to about immigration - at least once.

Immigration is by far the most controversial yet least understood issue in America. Frankly, given the way we're talking about immigration, given the emphasis, the overemphasis on border security, I would argue that we're not on the same page when we debate this issue. We're doing far too much debating and not enough conversing.

Something is fundamentally amiss when you refer to a person as illegal. Bottom line. That's why we so easily talk about this like we're talking about plants or crops. These illegals. My God, man, it's so tragic to me traveling around this country, this country that is getting more and more Latino, and you hear people use the words "illegal" and "Mexican" interchangeably. Interchangeably. Without blinking an eye.

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.