There's always to me a universality - one of the things I learned early on as a journalist and a writer is that there's a universality in specifics. The more specific you get, the more universal it can be.

Independent of politics, the changing narrative on immigration is directly correlated to the fact that we have new technologies that are allowing people to talk to each other and tell their own stories and organize themselves.

Like other undocumented people in this country, I want a green card, and I want a driver's license, and I want a passport. What, to me, is the immigration bill? It's a green card, a driver's license, and a passport. That's what it's about to me, tangibly. That I could see my mom. That I could drive. Is there anything more American than driving? That I could get a green card and be able to - right now, I'm just like freelancing and working as an independent contractor. It's hilarious. I'm unhirable.

I'm not excusing the illegal act. I am here illegally. I'm here illegally, without authorization. That's a fact. That's nothing you can call the Orwellian cops about. But I am a human being, so therefore I am not illegal. That's also a fact.

A friend said to me I'm like a walking New Yorker article. It's true! That's how I write. That's how I think.

When you watch the way some of the commentators talk about this, it makes it seem as if people are crossing the border every second. How much money have we spent on the border? Why? And who's really exploiting whom?" And then he gets quiet. But I think just airing these out and having a face-to-face conversation about it helps both of us internalize what the conversation is really about. I don't think we have that in the public sphere.

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.