There isn't anybody I won't talk to about immigration - at least once.

I always felt like I had the word "illegal" tattooed on my forehead.

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.

When people call me illegal, calling me illegal says more about you than it does about me.

There's always to me a universality - one of the things I learned early on as a journalist and a writer is that there's a universality in specifics. The more specific you get, the more universal it can be.

Independent of politics, the changing narrative on immigration is directly correlated to the fact that we have new technologies that are allowing people to talk to each other and tell their own stories and organize themselves.

I'm not a politician. I'm not a policy wonk. I was a political reporter, but that's not really what turns me on. What turns me on is how people perceive the issue and how people see people like me.