As a filmmaker, I make the films that I love, that are in my heart. That's what I care about.

If you are in Brazil and you grew up in a right-wing dictatorship, you think Marxism is liberating. But if you grew up in Czechoslovakia, and the Soviet Union is controlling everything and killing people, then you think capitalism is liberating. Neither of those two things are true and it doesn't take a lot brains to understand this.

As a filmmaker, I make the films that I love, that are in my heart. That's what I care about.

The relationship between fascism and robotics, for instance, it's very clear that it's going to become way more important as time goes by.

It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a precise mark with me. Instead of giving marks to the actors I like to give marks to the camera.

I think the media needs a little criticizing now, as it did in the '80s, don't you?