Every hero must have the courage to be alone, to take the journey for himself.

I think of mythology as a function of biology; the energies of the body are the energies that move the imagination. These energies are the source, then, of mythological imagery; in a mythological organization of symbols, the conflicts between the different organic impulses within the body are resolved and harmonized. You might say mythology is a formula for the harmonization of the energies of life.

And then he says, "The writer must be true to truth." And that's a killer, because the only way you can describe a human being truly is by describing his imperfections. The perfect human being is uninteresting - the Buddha who leaves the world, you know. It is the imperfections of life that are lovable. And when the writer sends a dart of the true word, it hurts. But it goes with love. This is what Mann called "erotic irony," the love for that which you are killing with your cruel, analytical word.

One great thing about growing old is that nothing is going to lead to anything. Everything is of the moment.

Society has provided [children] no rituals by which they become members of the tribe, of the community. All children need to be twice born, to learn to function rationally in the present world, leaving childhood behind.

We can safely say, therefore, that whereas some moralists may find it possible to make a distinction between two spheres and reigns-one of flesh, the other of the spirit, one of time, the other of eternity-where ever love arises such definitions vanish, and a sense of life awakens in which all such oppositions are at one.

The ultimate dragon is within you, it is your ego clamping you down.